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3 STEPS TO REGISTER:

1. Contact us for availability.
Send us an e-mail telling us which program(s) you want to take. We will confirm availability of places.

2. Submit registration form.
To complete the registration, fill out and submit the registration form on this page.

3. Pay in full.

After confirmation, you will receive instructions from the University of Lleida on payment procedure. You must pay in full to ensure your place in the course. (See pricing here.)

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Modal Notation (Notation I) Franconian Notation (Notation II) The Earliest Medieval Notations (850-1200) Medieval Music History and Performance I (800-1150) Medieval Music History and Performance II (1150-1300) Research Techniques and Applied Musicology Medieval Musical Iconography Melodic Improvisation Melodic Ornamentation The Cantigas de Santa Maria of Alfonso X: Context, Notation, Performance The Trouvère Chanson and its Performance The Estampies and Danses Royales of the Manuscript du Roi The Monophonic Music of Medieval Paris The Art of the Troubadour Song Singing I: Carmina Burana - An Entry into Medieval Monophonic Song Singing II: Hildegard von Bingen - The Voice of Divine Inspiration Singing III: Dit du chancelier Philippe - A Story of Notre Dame’s most Glorious Chancellor Vielle I: Basic Technique, Repertoires and Performance Practice Vielle II: Performing Trouvère and Parisian Repertoires Vielle III: The Vielle and Jerome of Moravia Citole/Gittern I: Basic Technique and Repertoire Citole/Gittern/Psaltery II: Secular and Religious Songs and Dances Citole/Gittern/Psaltery III: The Clerical Music Repertoire Frame Drums I: Technique and Repertoires Frame Drums II: Rhythmic Accompaniment, Ornamentation, and Improvisation Frame Drums III: Accompanying Dance and Women's Song Repertoires Portative Organ I: Discovering the Portative Organ (beginner) Portative Organ II: Towards Expressivity and Flexibility Portative Organ III: The Organ in the Medieval Clerical Universe Bagpipe/Pipe & Tabor II: A grant piperie - dance music for wind instruments Medieval Harp I: Basic Technique and Repertoires Medieval Harp II: The Harp in 13th-Century France Medieval Harp III: The Harp and the Anglo-Norman Repertoire
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The International Course of Medieval Music Besalú offers singers and instrumentalists the possibility of studying the repertoires of monodic and polyphonic music composed between the 11th and 13th centuries.

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